Jewellery Hits the Highway – Artwork Jewellery Discussion board

  • We requested collectors, jewellery makers, gallerists, and curators for recommendations on the kinds of items they choose for journey and the way they transport them safely 

When famend jewellery collector Susan Grant Lewin packs for a visit, she at all times takes rings. Lewin doesn’t sometimes put on earrings or brooches, and she or he often doesn’t pack a couple of necklace, however she will be able to’t go wherever with out her old flame: rings.

Choose jewellery that’s very moveable

Lewin usually travels with silver rings by New York maker Biba Schutz and Swiss maker Luzia Vogt. “They’re simple to journey with—I simply throw them in my bag,” she says. “To me, these are good journey rings as a result of they’re so snug and uncomplicated.” She additionally likes to take alongside a handful of different rings, chosen for his or her simplicity. They’re by Roxana Cervantes Barajas, from Mexico; Susanne Klemm, from the Netherlands; Anita Münz, from Austria; and France Roy, from Canada.

Retailer items at hand or someplace safe

Lewin retains the rings, wrapped in tissue paper and bubble wrap, in her purse or within the lodge protected.

Over the past a number of years, Lewin has donated a whole bunch of rings by lots of crucial up to date jewellery artists to the Yale College Artwork Gallery, the SCAD Museum of Artwork, and Cooper Hewitt, Smithsonian Design Museum.

Wrap jewellery to maintain it protected

What do different artwork jewellery lovers take with them when touring? We requested collectors, jewellery makers, gallerists, and curators to share the items they pack and the way they transport them. Brooches are the most well-liked, bracelets the least. Most are packed in containers with tissue paper or bubble wrap, however a few necklaces hit the street nestled in a bowling ball bag.

Ann McEldowney likes to journey with a Pierre Cavalan brooch that was a present from her sister, Mia McEldowney, an influential gallerist and curator who died in 2013. She owned the MIA Gallery, in Seattle, which featured studio artwork jewellery in addition to ceramics, work, and different paintings, many by artists from the Northwest. The Cavalan brooch, made in 1993, contains discovered objects—enamel badges, a black four-leaf clover, screws, and a pair of tiny fingers—together with imitation stones. McEldowney adores the number of components within the brooch, and sporting it retains her sister’s reminiscence shut.

Pin brooches to clothes, then pack them

McEldowney additionally likes to pack a brooch by Slovak artist Karol Weisslechner product of two silver disks, one with a cracked pink and blue floor, the opposite with an amethyst hooked up to it. For journey, she pins her brooches to a costume or jacket, wraps them with bubble wrap and tissue paper, then packs all of it in her suitcase. The clothes provides an additional layer of protecting cushion. Artwork jewellery, for McEldowney, is “a beautiful technique to gather up to date artwork in a small type, and it’s artwork that I can get pleasure from and see and have with me,” she says.

a brooch and it original box, by Russian ceramic artist Sergei Isupov
Emily Banas packs this brooch by Russian ceramic artist Sergei Isupov in its authentic field, picture courtesy of Emily Banas

Nothing’s too valuable to put on or to convey alongside—simply pack it with care

Emily Banas additionally packs brooches for journeys. “I’m having lots of enjoyable with them. They’re very nice to layer, to combine and match,” says Banas, who’s assistant curator for ornamental arts and design on the RISD Museum.

For the time being, Banas is obsessive about a brooch of two ladies’s faces by Russian ceramic artist Sergei Isupov. Although it’s breakable, “I preserve nothing is simply too delicate or valuable to put on on daily basis or to journey with in case you pack it appropriately,” Banas says. “I’m queer, and I actually love the picture of the 2 ladies collectively.” Whereas pictures of ladies have been depicted in jewellery for hundreds of years, two ladies collectively in an embrace “just isn’t one thing you see,” she says. “As quickly as I noticed it, I knew it was actually particular for me.”

One other favourite brooch for journey is by Philadelphia-based jeweler Luci Jockel. Her work combines typical jewelry-making supplies with animal stays, comparable to honeybee wings and bones, to commemorate the lives of the creatures. Banas’s brooch, titled Restore, is original from a deer cranium, with sterling silver accents that resemble staples. She likes to pair it with an vintage silver brooch.

Pack jewellery in its authentic packaging

Banas packs the brooches within the containers they got here in. A colourful jewellery roll from an organization known as Maine Handiwork (Banas is from Maine) has a slot for an additional brooch, together with a strip of mesh the place she retains her favourite earrings.

a Rebecca Hannon necklace
This Rebecca Hannon necklace “travels with me in all places,” says Bonnie Levine. It’s product of laminate and metal cable, so it’s flat and versatile, picture courtesy of Bonnie Levine

Cushion jewellery between layers of clothes

Bonnie Levine’s necklace by Rebecca Hannon “travels with me in all places,” says Levine, who’s chair of the board of Artwork Jewellery Discussion board. “As a result of I like colour, this piece makes me so completely satisfied, and it feels very enjoyable and playful.” Hannon, who relies in Canada, made the necklace utilizing laminate and metal cable, so it’s flat and versatile. Levine packs it between layers of garments, or in a small field or pouch.

When jewellery maker Steven KP travels, he can often be discovered sporting a reddish-brown coronary heart brooch by Estonian jeweler Urmas Lüüs. The piece, a part of Lüüs’s Coronary heart collection, is reduce from Soviet-era enameled industrial cookware as a logo of hope and love amid hardship. “It’s very wearable, and a lovely dialog starter,” KP says.

On his shoulder, KP usually has his sentinel moth brooch by Australian jeweler Andy Lowrie, whose collection Sentinels & Spectres examines talismans and themes of safety and fragility. The brooch is created from sterling silver that’s oxidized and powder-coated so it seems deep black. Two units of wings appear to flutter on the physique. A lot of Lowrie’s moth brooches are very colourful, however KP commissioned a black one to go together with his black and white wardrobe. The piece “is a meditation on a susceptible species,” KP says. “To make an heirloom out of one thing so fragile and short-term in its existence is, I believe, beautiful.” He has a second moth brooch on order, so “I’m going to have a bit colony to put on collectively.”

Be sure containers keep securely closed

KP packs the brooches in containers, wraps them in tissue paper, and secures the field with a rubber band.

He additionally brings alongside considered one of his personal items, often a draped knot brooch carved of purple oak from his collection Partially Undone Knots, which was exhibited at Gallery Loupe in 2022. The brooch travels within the field he made for it from the identical piece of wooden it was carved from. The piece, he says, is “a bodily reminder to occupy your physique, with all of the kinks and turns you may want undone.”

Choose versatile items that work with many various garments

Francine Baker, who collects along with her husband, Invoice, enjoys bringing alongside earrings by US jewellery maker Nikki Couppee that characteristic a cluster of clear faceted acrylic gems. “They’re good to put on within the night, and add sparkle to no matter outfit I’ve on,” she says. A necklace by Israeli maker Yael Krakowski, product of resin and silver, is straightforward to pack, and the combination of colours—mustards, greens, and reds—pairs properly with numerous outfits.

A brand new piece that the Bakers plan to tackle upcoming journeys is a multi-piece necklace that may be a illustration of the COVID pandemic made by married artists Cynthia Toops and Dan Adams. A number of small mosaics, created from polymer clay, might be hooked up to the beaded necklace, which is glass and sterling silver. One is a face lined by a detachable masks that claims, “for you, for me.” One other mosaic opens to disclose a stitching equipment for making masks. “This ensemble is so significant and represents an eventful time in our historical past. I get pleasure from sharing the gathering with others, in addition to sporting chosen items,” Francine says.

This multi-piece necklace by Cynthia Toops and Dan Adams is a representation of the COVID pandemic
This multi-piece necklace by Cynthia Toops and Dan Adams is a illustration of the COVID pandemic, picture courtesy of Francine Baker

Search for artistic packing options

Jewellery maker Shamaka Thompson has discovered the proper bag for packing her lengthy wooden necklaces: a leather-based bowling ball bag she discovered at a thrift store. Its sides are strengthened with items of iron, offering a protecting nest for her items, which include lengthy, curved loops of ash wooden. After the wooden is submerged in water underneath excessive stress to make it pliable, Thompson bends it into form and paints it.

Thompson additionally likes to convey alongside earrings by US maker Kimber Harris-Wiegand, acquired by bartering throughout a Baltimore Jewellery Middle vacation sale at which each artists had been exhibiting their work. “I like the dimensions and the colours, which have an ombré impact,” Thompson says.

In fact Thompson can’t embark on a visit with no favourite pair of her personal earrings, one of many first she ever made. They’re delicate loops of curved wooden, painted purple. She supposed them to have a distinct form, however the wooden break up, forming an oval. She was in a position to break up the wooden for the companion earring, giving it the same form. “These are inspirational, as a result of lots of the time when you’ve an concept as an artist, generally the wooden has a extra natural concept that I agree with,” she says.

Convey light-weight items with presence

Patti Bleicher often takes one versatile brooch when she travels. A favourite, by Munich jeweler Doris Betz, consists of lavender hostaglass—a clear plastic—sewed with iron thread onto a round base of oxidized silver. “I like the materiality of the hostaglass and the way in which she makes use of it,” says Bleicher, the proprietor of Gallery Loupe, in Montclair, NJ. “And I like that the brooch has scale and makes an announcement, but it surely’s nonetheless very mild. It’s simple to put on, and it goes with the whole lot.”

Tiny earrings from Australian jeweler Laura Deakin’s Dishonest Pearls collection usually come alongside on Bleicher’s journeys, too. To make the earrings, the artist makes use of faux pearls to create a luster that mimics actual pearls.

Choose flat jewellery

Annually when she goes to Schmuck, Bleicher makes positive to pack a Noam Elyashiv necklace product of slim sterling silver rectangles of varied lengths. “It’s not heavy and it’s flat, so you may simply fold it up,” Bleicher says. “I like that the work is quiet, minimal, and so good.”


Observe: The go-to journey piece for the author of this text is an elegantly curved bracelet product of oxidized sterling silver by jeweler Reiko Ishiyama.

Bracelet by Reiko Ishiyama
Bracelet by Reiko Ishiyama, sterling silver, picture courtesy of Jennifer Altmann